Courses Overview >> Short courses >> Coming Down the Mountain: Relinquishment, Resilience and Restoration in a Time of Endings

Coming Down the Mountain: Relinquishment, Resilience and Restoration in a Time of Endings

Dark Mountain
Key Info: 
  • Discover how to build deep resilience
  • Use methods drawn from theatre and ritual, collaborative writing exercises and conversations in the dark
  • One-to-one session with one of the course leaders

Dougald Hine and Charlotte Du Cann

Fee: 
£ 795.00
Course fees include all meals, field trips, materials and all teaching sessions.
The programme will run from Monday to Friday afternoon and includes four nights private accommodation with shared bathroom plus all vegetarian meals from the first lunchtime you arrive through until the lunchtime before your departure. If you would like to take this course as a non-residential participant, please call us on Tel: +44 (0) 1803 847237

For ten years, the Dark Mountain Project has held a unique space in which art, story and myth weave together to help us face the realities of a time of ecological unravelling. Join Dougald Hine and Charlotte Du Cann for a five dayDark Mountain journey, working with the ancient story of Inanna’s descent into the underworld and with alchemical understandings of the path through the ashes. We go in search of the deep cultural roots of today’s crises and the beauty that gives courage in the darkness, knowing that there are parts of ourselves we are called to leave behind.

We live in a time of great unravelling. The climate is changing, a mass extinction is underway, and our economies, cultures and technologies are fraying the fabric of a once-known world. The future no longer serves as a vessel for our hopes, but a shadow that many try to avoid thinking about.

Since the publication of the Uncivilisation manifesto in 2009, the Dark Mountain Project has provided a gathering point for those who are willing to face the shadow. We have been searching for ‘the hope beyond hope’, the paths that lead to the far side of despair and finding companions for the journey.

" Through Dark Mountain I’ve got to know the most incendiary, challenging thinkers, writers and makers – far more earthily radical, visionary and mind-blowing than any other group or outlet I’ve come across in my life. Interacting with them and their networks, some becoming friends, made a fundamental shift in how I see the future and my life. It’s huge for me." — Chris T-T, singer-songwriter

In this course, two of the core members of the Dark Mountain team – Charlotte Du Cann and Dougald Hine – invite you to a creative and collaborative exploration of the journey through the underworld, the dark night of the soul and the alchemical path of ashes.

As we follow in the footsteps of Inanna, what are we being called upon to relinquish? How do we build deep resilience – and how do we restore life to places of cultural and ecological brokenness?

Our aim is to find clues with which to make sense of our lives and the times in which we are living – and tools for creating ‘living-spaces’ for this work within our communities:

My sense is that only seldom is the problem that we “don’t know” – or, at any rate, that we don’t know enough. The real problem is that we don’t have a living-space in which to fully know what we know, in which to confront that knowledge and respond to it emotionally without immediately becoming entrenched in a position of fear, denial and hopelessness. (Chris Goode, The Forest and the Field: Changing Theatre for a Changing World)

We’ll use methods drawn from theatre and ritual, collaborative writing exercises and conversations in the dark – as well as drawing on tools such as the Deep Adaptation framework developed by Jem Bendell.

All participants will have the opportunity of a one-to-one session with one of the course leaders during the week.

*The Booking Deadline gives us an accurate idea of course participant numbers at approximately 6 weeks before the course is due to run, at which point we confirm the course, add additional time for people to book on or cancel the course. We encourage people to register early for courses as places are limited.

Dougald Hine and Charlotte Du Cann

Dougald Hine

Dougald Hine wrote Uncivilisation: The Dark Mountain Manifesto with Paul Kingsnorth and together they founded the Dark Mountain Project in 2009. Since then, the project has branched in many directions, including fourteen books of collected Dark Mountain writings and artwork, as well as festivals, performances and workshops. In 2014, the New York Times could introduce the project to its readers as ‘changing the environmental debate in Britain and the rest of Europe’. Dougald spent two years as leader of artistic development at Riksteatern, Sweden’s national theatre, where he ran a monthly Dark Mountain Workshop. In 2019, he will be moving on from his work with the project, so this is the last chance to take part in a Dark Mountain course with Dougald.

Charlotte Du Cann

Charlotte Du Cann is part of the core team behind The Dark Mountain Project and has worked as an editor, art editor and event curator for the project since 2013. She writes about mythology, metaphysics and cultural change and teaches collaborative creative non-fiction. In 2012 she founded and edited the grassroots newspaper, Transition Free Press and 2015 edited Playing for Time – Making Art as if the World Mattered (with author Lucy Neal), a handbook about community arts practice. Recently she has created two show-and-tell performances that explore myth as a tool for forging the future :'Divesting for Beginners', based on Innana’s descent and ‘The Red Thread’ on Ariadne and the Labyrinth.

If you would like to book onto one of our short courses, you will need to create an account. This is a simple process of choosing a username, email address and password. Once you have created an account you will receive a verification email. Please click on the verification link within to have full access to the site and to make your booking. (You may need to  check your spam folder if you do not see this email.)  We will email you confirmation of your payment and any further communication about your course application.

Residential accommodation for "Changing the Frame"  is at Higher Close, a 20 minute walk from Schumacher College. All meals will be provided at the college.

A place can not be guaranteed unless we receive your deposit or payment on your chosen course. If you would like to apply for a bursary, please do this before making your course application.
 

Short Course Bursaries create an opportunity for an individual to experience the powerful transformative learning by joining a course that assists the participant to inspire their wider community and benefits from the participant’s own unique contribution. It is our hope that our bursaries support a wide cross section of participation on our short course programme. The number of bursaries available is limited, competition is strong and funding is not always available for every short course. Please be aware that most bursaries are in the region of 10% – 20% of the course fee so please be prepared to raise funding from other sources.  A bursary award is not intended to cover travel or incidental expenses.

Applications are viewed on a case-by-case basis and we are unable to enter into discussions on any decisions. We generally have many more applications for bursaries than we have funding available. We can only offer one bursary per person per year and priority is given to those who have not attended the college or received a bursary before. To help us support as many people as possible, please only apply if you would be unable to attend the course without a bursary.

How to apply for a bursary

Six weeks before the course is due to start all bursary applications will be considered and responded to.  If successful you will be required to accept our Bursary Terms and Conditions.

Please answer the following:

  1. What does a bursary mean to you?
  2. How will your attendance on this course benefit the wider community?
  3. If your financial situation justifies you applying for a bursary, how much are you able to contribute towards attending this course?
     

Please be prepared to supply an appropriate reference in support of your application.